Anywhere but here
So, ich bin zurück von meinem Kurzurlaub. Leider ist in Bezug auf ABH tote Hose. Ich hab die Kasette zwar wiedergefunden, aber in Polen wird fremdsprachiges Fernsehen einfach durch einen "Universalübersetzer" übertönt, der für alle spricht. Und das ist nicht so doll, wie man sich vorstellen kann.
Somit kann ich nur hoffen, dass mir am 19.10 nichts dazwischen kommt, und ich den Film auf Premiere gucken kann.
cu
Somit kann ich nur hoffen, dass mir am 19.10 nichts dazwischen kommt, und ich den Film auf Premiere gucken kann.
cu
Jetzt hab ich ihn endlich auch gesehn *freu*.
War ganz ok, die Adele konnte man anfangs wirklich nur hassen. Natalie war wiedermal wunderschön *seufz*.
Dennoch mag ich "Beautiful Girls" irgendwie lieber.
Mfg.
_________________
Alles ist umsonst, nichts ist kostenlos.
Mfg. http://www.papahuhn.f2s.com.
[ Diese Nachricht wurde geändert von: papahuhn am 2001-10-19 15:36 ]
War ganz ok, die Adele konnte man anfangs wirklich nur hassen. Natalie war wiedermal wunderschön *seufz*.
Dennoch mag ich "Beautiful Girls" irgendwie lieber.
Mfg.
_________________
Alles ist umsonst, nichts ist kostenlos.
Mfg. http://www.papahuhn.f2s.com.
[ Diese Nachricht wurde geändert von: papahuhn am 2001-10-19 15:36 ]
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- Post Attacks!
- Beiträge: 236
- Registriert: 28.05.2001, 1:00
- Wohnort: Düsseldorf
- Kontaktdaten:
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- Post Attacks!
- Beiträge: 236
- Registriert: 28.05.2001, 1:00
- Wohnort: Düsseldorf
- Kontaktdaten:
Mein Bruder hat mich ebend auf folgendes aufmerksam gemacht:
ÜBERALL NUR NICHT HIER
Originaltitel: ANYWHERE BUT HERE
Sprache/Tonformat: Deutsch Dolby Digital 5.0 Englisch Dolby Digital 5
Spieldauer: 110 Min.
Darsteller:
Susan Sarandon
Natalie Portman
Eileen Ryan
Ray Baker
John Diehl
Regisseur:
Wayne Wang
Erscheinungsdatum: 06. Jun. 2002
Erscheinungsjahr: 1999
FSK: 6
Format: DVD
Label: 20th Century Fox
Jetzt schon bestellbar!
EUR 23,99
Quelle: http://www.karstadt.de/webapp/commerce/ ... rfnbr=6332
Jippie! Suche noch nach weiteren Quellen, die das bestätigen.
Nachtrag:
Bei http://www.froeschl.de/shop?00000008000 ... 0232010445
und http://www.jpc.de/jpcdb/artsearch/showj ... earch.html findet man die DVD auch schon, sogar etwas günstiger.
_________________
"Makes 'Speed' look like a slow ride to grandma's house."
Don Statter about "The Professional"
[ Diese Nachricht wurde geändert von: cooper am 2002-03-12 21:22 ]
ÜBERALL NUR NICHT HIER
Originaltitel: ANYWHERE BUT HERE
Sprache/Tonformat: Deutsch Dolby Digital 5.0 Englisch Dolby Digital 5
Spieldauer: 110 Min.
Darsteller:
Susan Sarandon
Natalie Portman
Eileen Ryan
Ray Baker
John Diehl
Regisseur:
Wayne Wang
Erscheinungsdatum: 06. Jun. 2002
Erscheinungsjahr: 1999
FSK: 6
Format: DVD
Label: 20th Century Fox
Jetzt schon bestellbar!
EUR 23,99
Quelle: http://www.karstadt.de/webapp/commerce/ ... rfnbr=6332
Jippie! Suche noch nach weiteren Quellen, die das bestätigen.
Nachtrag:
Bei http://www.froeschl.de/shop?00000008000 ... 0232010445
und http://www.jpc.de/jpcdb/artsearch/showj ... earch.html findet man die DVD auch schon, sogar etwas günstiger.
_________________
"Makes 'Speed' look like a slow ride to grandma's house."
Don Statter about "The Professional"
[ Diese Nachricht wurde geändert von: cooper am 2002-03-12 21:22 ]
New York Times
November 12, 1999, Friday
MOVIES, PERFORMING ARTS/WEEKEND DESK
FILM REVIEW; And Mom, Another Thing:
When Will You Grow Up?
By JANET MASLIN
The mother and daughter in Mona Simpson's widely praised novel ''Anywhere
but Here'' spend an awful lot of time driving around and going out for
conciliatory ice cream cones after they fight. That would not bode well for a
movie version, but the film happens to have a knowing, well-distilled
screenplay by Alvin Sargent and the same incisive, affectionate direction that
Wayne Wang brought to ''The Joy Luck Club.'' Mr. Wang once again works
splendidly with actresses, and boy, does he have a lot to work with this time.
It's a pleasure, if not a surprise, to find Susan Sarandon so show-stopping in
the role of Adele August, the mother and nemesis of the story's adolescent
heroine, Ann. Adele is flamboyant and outrageous in ways that could have
been as painful for an audience as they are for 14-year-old Ann, but Ms.
Sarandon makes her enormously funny and appealing, too. It is Adele's idea
to uproot her daughter from family and friends in the Midwest and head for
Beverly Hills, where she has big ambitions but no prospects. ''You're gonna
die one day too, Mom, just like the rest of us,'' Ann remarks acidly before the
two leave Bay City, Wis. ''But not in this town,'' Adele blithely replies.
On the page, Adele leaves her daughter feeling resentful as she monopolizes
much of the limelight. But Ann is played here by Natalie Portman, and as for
Ms. Portman's fading into the woodwork, not a chance. Proving her mettle in
a fully formed dramatic role, looking stronger and more serious than she has
before, and more beautiful without the lampshade headgear of ''The Phantom
Menace,'' Ms. Portman does a terrific job of holding her own in the film's
battle of wills. From its very first scene, in which Adele bops to the Beach
Boys while driving cross-country in a gold Mercedes that she can't afford,
while Ann glowers beneath her baseball cap from the other side of the car, it's
clear that these two are a formidable match.
Anecdotal rather than eventful, ''Anywhere but Here'' finds plenty of dramatic
interest in Ann and Adele's tug of war, and in their efforts to invent a new life.
Like the father played by Alan Arkin in ''Slums of Beverly Hills,'' a film that
covered similar territory, Adele makes a fearless con artist in a perfect place
for such artifice. She's someone who can haughtily turn down a suite at the
Beverly Hills Hotel before checking into a motel, and Ann is dragged along
with her on every last roller-coaster ride. Adele's faith in her own star quality
has its pathos, but it's also a grand feat of imagination, and the film appreciates
that. As outfitted with cheerful brazenness by Betsy Heimann, whose costume
credits include ''Pulp Fiction'' and ''Get Shorty,'' Adele is a walking tribute to
her own imagination.
The film works best at fathoming what a mother-daughter relationship is like
when the daughter is the grown-up, and when the mother's manic excesses
threaten to sink them both. At the same time, it does a touching job of
explaining what holds them together. Sometimes it's reluctant camaraderie, as
when Ann takes a look at her new Beverly Hills High School classmates and
exclaims, ''They look like they're going to the beach!'' (''The intelligent girls are
inside,'' Adele reassures her.) Sometimes it's pure bile, as in a scene that finds
Ann cruelly impersonating her mother. Mostly it's a hard-won compromise
that deepens as the film unfolds. ''You never were a small-town girl, were
you?,'' Adele finally remarks. ''Thanks for knowing that, Mom,'' Ann answers.
''Anywhere but Here'' is rated PG-13 (Parents strongly cautioned). It includes
occasional profanity and implicit sexual situations.
ANYWHERE BUT HERE
Directed by Wayne Wang; written by Alvin Sargent, based on the book by
Mona Simpson; director of photography, Roger Deakins; edited by Nicholas
C. Smith; music by Danny Elfman; production designer, Donald Graham Burt;
produced by Laurence Mark; released by Fox 2000 Pictures. Running time:
113 minutes. This film is rated PG-13.
WITH: Susan Sarandon (Adele August), Natalie Portman (Ann August),
Eileen Ryan (Lillian), Ray Baker (Ted), John Diehl (Jimmy), Shawn Hatosy
(Benny) and Bonnie Bedelia (Carol).
Published: 11 - 12 - 1999 , Late Edition - Final , Section E , Column 5 , Page 22
November 12, 1999, Friday
MOVIES, PERFORMING ARTS/WEEKEND DESK
FILM REVIEW; And Mom, Another Thing:
When Will You Grow Up?
By JANET MASLIN
The mother and daughter in Mona Simpson's widely praised novel ''Anywhere
but Here'' spend an awful lot of time driving around and going out for
conciliatory ice cream cones after they fight. That would not bode well for a
movie version, but the film happens to have a knowing, well-distilled
screenplay by Alvin Sargent and the same incisive, affectionate direction that
Wayne Wang brought to ''The Joy Luck Club.'' Mr. Wang once again works
splendidly with actresses, and boy, does he have a lot to work with this time.
It's a pleasure, if not a surprise, to find Susan Sarandon so show-stopping in
the role of Adele August, the mother and nemesis of the story's adolescent
heroine, Ann. Adele is flamboyant and outrageous in ways that could have
been as painful for an audience as they are for 14-year-old Ann, but Ms.
Sarandon makes her enormously funny and appealing, too. It is Adele's idea
to uproot her daughter from family and friends in the Midwest and head for
Beverly Hills, where she has big ambitions but no prospects. ''You're gonna
die one day too, Mom, just like the rest of us,'' Ann remarks acidly before the
two leave Bay City, Wis. ''But not in this town,'' Adele blithely replies.
On the page, Adele leaves her daughter feeling resentful as she monopolizes
much of the limelight. But Ann is played here by Natalie Portman, and as for
Ms. Portman's fading into the woodwork, not a chance. Proving her mettle in
a fully formed dramatic role, looking stronger and more serious than she has
before, and more beautiful without the lampshade headgear of ''The Phantom
Menace,'' Ms. Portman does a terrific job of holding her own in the film's
battle of wills. From its very first scene, in which Adele bops to the Beach
Boys while driving cross-country in a gold Mercedes that she can't afford,
while Ann glowers beneath her baseball cap from the other side of the car, it's
clear that these two are a formidable match.
Anecdotal rather than eventful, ''Anywhere but Here'' finds plenty of dramatic
interest in Ann and Adele's tug of war, and in their efforts to invent a new life.
Like the father played by Alan Arkin in ''Slums of Beverly Hills,'' a film that
covered similar territory, Adele makes a fearless con artist in a perfect place
for such artifice. She's someone who can haughtily turn down a suite at the
Beverly Hills Hotel before checking into a motel, and Ann is dragged along
with her on every last roller-coaster ride. Adele's faith in her own star quality
has its pathos, but it's also a grand feat of imagination, and the film appreciates
that. As outfitted with cheerful brazenness by Betsy Heimann, whose costume
credits include ''Pulp Fiction'' and ''Get Shorty,'' Adele is a walking tribute to
her own imagination.
The film works best at fathoming what a mother-daughter relationship is like
when the daughter is the grown-up, and when the mother's manic excesses
threaten to sink them both. At the same time, it does a touching job of
explaining what holds them together. Sometimes it's reluctant camaraderie, as
when Ann takes a look at her new Beverly Hills High School classmates and
exclaims, ''They look like they're going to the beach!'' (''The intelligent girls are
inside,'' Adele reassures her.) Sometimes it's pure bile, as in a scene that finds
Ann cruelly impersonating her mother. Mostly it's a hard-won compromise
that deepens as the film unfolds. ''You never were a small-town girl, were
you?,'' Adele finally remarks. ''Thanks for knowing that, Mom,'' Ann answers.
''Anywhere but Here'' is rated PG-13 (Parents strongly cautioned). It includes
occasional profanity and implicit sexual situations.
ANYWHERE BUT HERE
Directed by Wayne Wang; written by Alvin Sargent, based on the book by
Mona Simpson; director of photography, Roger Deakins; edited by Nicholas
C. Smith; music by Danny Elfman; production designer, Donald Graham Burt;
produced by Laurence Mark; released by Fox 2000 Pictures. Running time:
113 minutes. This film is rated PG-13.
WITH: Susan Sarandon (Adele August), Natalie Portman (Ann August),
Eileen Ryan (Lillian), Ray Baker (Ted), John Diehl (Jimmy), Shawn Hatosy
(Benny) and Bonnie Bedelia (Carol).
Published: 11 - 12 - 1999 , Late Edition - Final , Section E , Column 5 , Page 22